![]() While the United States and France have always made transgressive films, Italy’s horror boom corresponds with the fall of Italian fascism. The United States, Italy, Japan, and France have produced some of the most shocking movies of all time, movies that went so far that they become not just shocking and disturbing but unwatchable. The film is a favorite of director Quentin Tarantino. How much is too much? At what point are things too violent? Too obscene? Too triggering? Too unwatchable? When do they cease being horror movies and become unbearably profane to a respective culture? Audition is 2000 horror movie from Japan that is disturbing and towards the top of the list. How far are filmmakers allowed to go without censorship? In a sense, then, the role of the macabre in mainstream cinema is an interesting barometer of a society’s openness. Historical regimes such as the Soviet Union in Russia and the Nazis in Germany repressed all horror cinema. In more repressive Middle Eastern countries, horror movies are an underground phenomenon. North Korea doesn’t even have a real film industry. Indeed, modern China doesn’t have horror movies, although Hong Kong does. ![]() Mother! suffers from screeching (albeit intentional) sound design, plus a preachy and abstract plot.
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